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19

~udience participation)

cmro1sb<5> rrJJors:H1J1d>00Q11b.

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20

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2 1

<5> b() :J2J bc!h 9S 1 LnJ w:> m Q) :> QJ em iOcl:> mU

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~ ruU

ru III b) Q):J co 0 b) nJ J (ll'i b (3 :J cb uo m1cfr. IS 9Q) 1<5> QJ 1cd> m1eJ b) <5>::> ~ ~ 0d. QJ 00 (ll'i g-~ ill ~ b61 S

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22

1. Roose James- ~vQ.ns, EXJ;erilUental ~heatr8, P·1.

To Qx:r-riJaent is to make a foray into unknown- it

ia something that can be cl~'tGd only after the event.

2. vamc5>roJn..Il~~.~1. bl ~JnD., ene.JQJJ~mJsc5>crnJnI)lanb 21m lLano,

nJbo O 38-39.

3 •

4 •

nJm9';nllSll .9lrulan (Experimental poetry) ..aJrm 61mb vaJQJ

0OJob01Jlrrl:1 rogn..lbl~sbcmanlmbm;b. ~mc5>le.Jbo ~blanJmb lnJlfJILlJm

O"JJfSJruenJcb;:Jl&bc5>CQJJ Ce.JJc5> rub:>n..Ic5>ellJ8J IfJJJw9mo IfJ~.is15bc5>CQJJ

bl2J,gJalllrobrm1eJe.J. ellbc5>~la:bmlnr'bo anJc,?.gJ~b ell'femanb~~l ru9'9bO

Cn..IJ bl e.J m2Jl~2Jlro arm ' RAINING' C n..IJ e.J b~ ~ c5-ru 1~ d: ili ro gn..l n..I ro enJ QJ

mru 9mall8JJa:b c5>~allod>.o ((1J~.isl($)oce.Q.lbo c5>Jrub:>m ouo9e.Jmanan lble.J G~vab

c~J(J.;emanlblemo ~IfJ';anl rub~anCllJdl)oc5>QJoo bl2J.gJtIDbblrurm<tllb

~ IfJ<mJru bellJ Sll beAndreyeva Galina, Social Psychology, p.86-91.

IfJ 0Cru Gmcolall 1cd> 2Jl..nmromili c$l 0~ ~ Ln..I JWJmbem bl an Qil b0 1~21 b lJ) ~ ro ru ell JQJ

n..Iommmlb mS($)brmanb bllT'JJIT'Jbgolblnbo 2Jlmanc5>lb($)b~UO~ell:)Sllb. C~u1

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ro 0lJ) embleman 1QJ an b• fSJ ~ J((oJ cr.! Lan ernCiJl1 bl ob 0 8J &0 cr.) Jell gnI) bvaJ If,) Lan colan 1bl fib () QJ 00

mro ru 0va n..I 0 meman 1bl fib () QJ 00 Cell blJ e.J <9-. ~ 1CIt 6) en bCn..I Jbl e.J ru 6:> n..I m1~ 21

nl1;smJruJGrubO CBdan1mbcva~0 mgn..lblellsbrolan 2Jl..nmru1;GU1Jrr.9QJ

(semiotics) rubo 01l0cruGmernan1bl cro o ellbQJb ~n..Ic5>roSllellJQJl

2J1..nm(sign) colblan rule.JQJlrobClllallormb. rub:>rucbrolanc5>cva~lQJb~~ ~~

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23

Tha transfer of any information is only possible

through the use of signs, more preciously a 'system 'of signs~

There are several systemsof signs applied in the

c ommunicative process and tIE classification of

communicative process can be

effected in relation to these systems. Verbal

communication (the system of sign using speach)

and the non-verbal communication (the system expressed

th~"ough unspoken signs) are two groups in a somewhat

rough division. However, the second type demanded a

morQ detailed division ••• there are four forms that

can be set off: Kinetic, paralinguistic, proximic and

visual canmunication.

(i) Opt i cal-Kinetic system: This system makes use of the

property of ge.neral motor funet ions, primarily of

various parts of body (hands, face etc.) to express the

emotional reaction of th~~individual.

(ii) Pa1;'a1 in.Q"u i stic and extra1 i.J;lguist:LQ. system:

Paralingl)is tic system i.S a system of vocalization,

the quality of the voice, its range and tone. The

ext~alinguistic system includes pauses in speech,

coughing, crying, laughter, and the tempQof speech

itself.

(iii) Proximics: The Optimal organisation of space is

communication plays a defenite role only under the

similar other conditions (or spatial influence).

(iv) Visual communication: Communication through eye contact.

24

5. (sJrrJd.ronb. sl. <:cWJ.t nJ'!Jroauu(O)6mlrognJS'll0. nJOOo 94.

arnrslw,' ~~tiHgTJ, OJDcID~m ru~nJ:l~mw~l~~b)S&J:>gTJb

OJ J&1 bl nb 0 WJmDJ col (]) c9,cZl J&I am ro ralill (0) ~ rom~ 1c: ~ &lc$l b ~ em(0) 1nJ <: 2J ro 0rm bl (0) rmbrs J ro (0) 9&1 CT'J" mGro DUOJ ml u.m d.J ro nb (]) J ro 00 rru

U

illJ nJ 1~~ 15 oS'll S b• bl bl UO OJ J

bl bl GJrtllrallUllbl nb 0 nJ lnb ~~ralrtll lab ro gnJObl dlJS'll S rrJ <: n1JJ SCT'J lGuwJmrtll0

~ruOJlwbl(2)Jrob Grouom(])JgTJb Q)0c:rmJ5 0 OJ&J~bcmrtllb.

6. BogatyrQv Feter, Q tlil in The Semiotics of Theatre and

Drama; p. 7 •

••• on the stage things that play the part of

theatrical signs ••• acquire special features, qualities

and attributes that they do not have in real life.

7 • °Elam Keir, The Semiotics of the The~tre p.7 •

••• The perfol~ance not as a single sign but as a

network of semiotics units belonging to different co-opel~tive

systems.

8.

mJslBlcolrtlllblnbo au(2) LYlrtllJOJ <: ~JWrol<:rtlldiool:J2J" 'tiHJnuOJ' bl(])rm

Ell '!J tiH W1&1 o(])J &11 ~mw.Jbl nJ S oralrtll 1 mJ s6U'OJrrJ Lrtll col rtll 1ab ru luoG (])J &llralrtll bl rm

2J ro:J2J bl 2J &l &1 ormo~ Sb•Brusak, Qtd in the SemiDtics of Theatre, p.8.

ruCT'J'rtll o0J1<:nb0&100 CT'JOrsOJ ~m© o<:S&1oo ~ <:&1J~brtlll91c$lJgTJb

~9rulrtllralrtlllab ~JWJmbo n4jrm:>ab mJsdlralcmlab l8dru&1oblS rrJg2Jlrtll(signification)

~tiH(])rtlll91dilJgTJb LnJLO(])frJLOJmo. ~rtllo <:S1!JWD(2)O©~ mJsdlLnJOJroralrtlldlrodil o

(2)JliUl<:C2) mJsdlnJJOralrtlllrrlJmlrmoo nOe.JruralrtllJ&1 rooUlnJJOO rru~.isldilJmoo

uo ro 1&J J°ru 1W(2) 0©~ rrJdCru G mom S (ffi"rtll :> moo rrJ JC3u

ill. bQ) Jru bd. &J b©~ b•

25

10. BottoJ.lore Tom (Gen.Ed.), A Dictionary of Marxist Thought,p.t79.

Engalea, assumes that hist017 displays a progression

towal~s higher and higher types of morality, w!rlch would

seem to imply that the majority of the victorious

proletariat will evantually become the universal morality

of humanity. The Claimes of previous moralities to

universal validity were inded illusory.

11. Vago Steven, Social Change, p.g8.

12. Bottomore Tom, A Dictionary of Marxist Thought, p.221.

IntQllectuals organize the web of beliefs and

institutional and social relations which Anto~io Gramchi

calls hegemony.

13. C:~JO n4lo1~ (ru1ru.:roru1), b'U1C:QJJS'li'S' 81 ~!lJQJ1nboU 63JnO~~r&I~1

nJbOO 21.

16. Vagoy Steven, Social Change, p.331.

Some areas of society change faster than others, with

the result that the parts of the sys~m no longer mesh as

whole.

17. <:~JO n4lo1~, ~lC:QJ:J~s 81 ~!1JQJlnbcrr 63JnD ~eJD9n'llnb, nJbO o 133.

18. uamc5>ronJnJ1~~.~·1. ~ LnJ:JnD., Q)eJQJ:J~m:Jsc5,(rj:>nf)l<mD!lJro1L<mo. n..Jbo o 44.

26

19 • Faulkner Peter, Moderni~l!l, p.15.

Gr.l:> W0m1d> lTll:> nO 1lUl6lTll m9n.J mru 00 () 1&J eJ 1(T'J mllUl1bl nb () n.J (1) 1m1<m 1&J 00

nll:> i mro ru 6i<m m:> diloCTnlUll ~ c9>J (1) m:>ll"l b.

First, "l'rodern art is that in which the artist

reflects awareness of an unprecedented lliodeln situation

in form and idiom; ana second that 'the principle of

reality in our tiillQ i~ peculiarly difficulty to grasp,

and that "realism" is not an adequate approach to it.

-x-