Download - Catalogo Galeria Quintana
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San Miguel de Allende fue fundada en 1542 por el franciscano Juan de San
Miguel, en un sitio chichimeca. En la época colonial, la ciudad era el punto
estratégico de la ruta entre México y las grandes ciudades mineras del bajío,
es decir, Guanajuato y Zacatecas.
Catalogada como monumento histórico, ha logrado conservar su caracter
colonial, con sus estrechas calles adoquinadas flanqueadas de casas con
fachadas ocre, amarillas o rojas. San Miguel de Allende alberga una gran
comunidad norteamericana y atrae numerosos artistas y escritores.
Las viejas residencias del centro, brindan a la ciudad una atmósfera única de
calma y serenidad, que solo es interrumpida por las múltiples tiendas de
artesanías, las suntuosas bugambilias, los encantadores hoteles, restaurantes
y galerías de arte que enriquecen y dan vida a esta hermosa ciudad.
San Miguel de Allende, Gto. Mexico
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San Miguel de Allende, Gto. Mexico
San Miguel de Allende was founded in 1542 by Juan de San Miguel, a
Franciscan priest, in a place formerly occupied by the Chichimec indians. In
colonial times, the city was a strategic place in the route to Mexico and
other large mining cities in the area know as “el bajío” (Guanajuato and
Zacatecas).
The city, considered a historic monument, still has a colonial atmosphere, with
its narrow cobbled streets and yellow, red and brown houses. There is a
large American community living in San Miguel de Allende and many artist
and writers are attracted to this town.
The old downtown houses give the city a unique atmosphere of peace and
tranquility, only interrupted by the various shops selling crafts, the
luxurious lofts, the charming hotels, restaurants and art galleries that
enrich and enliven this beautiful city.
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Chata Quintana
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Mi nombre es María del Carmen Quintana Woodworth mejor conocida como la
Chata Quintana.
Nací en un rancho en Gómez Palacios, Durango, en 1935, donde el cielo azul se
embarra de Ocres y rojizos al juntarse en el horizonte con la tierra. Hija de
vasco e inglesa, mezcla de mar Cantábrico que al correr por mis venas definió
un temperamento agreste.
Mi padre, Jesús Quintana Villanueva y mi madre, Carmen Woodworth, fueron los
primeros moldes donde se vertió mi vida. La libertad y alegría era la constante
en la familia. Los hermanos, dos hombres y una mujer, fueron parte del paisaje
que la invito a pintar las emociones de niña y más tarde, las responsabilidades de
hermana mayor.
A los ocho años hice mi primer oleo. Recuerdo que me regalaron unas pinturas
bastante viejas, casi no podía abrir la tapa y menos sacar el contenido, pero
como la terquedad es una de mis características, busque la manera de hacerlo y
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así surgió sobre una tabla, porque no tenía lienzo, mi primer cuadro, compuesto por una calabaza, un piloncillo y un jarro.
AI terminarlo, la satisfacción vanidosa me invadió. Desde entonces descubrí que el límite de mi creación seria yo misma, porque tenía un caudal inagotable de inspiración. La pintura, se compone de varias técnicas: oleo, pastel, acuarela, carbón y otras, todas las he practicado yhasta atrevido a innovar inventando mezclas. Todo se puede Improvisar, menos la emoción y el sentimiento. Estos pertenecen al espíritu, y un artista no puede Ilamarse tal, si sus obras no llevan estos dos ingredientes.
La capacidad de ensoñación me metía en un mundo propio donde los habitantes eran la imaginación, la inventiva y la creación.
Desde que inicie de manera formal mi actividad de pintora y ceramista autodidacta, continuamente me preguntaba hasta que punto había llegado en el arte; duda uno ¿será que estoy bien, o me falta? nunca Se termina de aprender! Por eso, aprovechando que me encontraba en New York, fui a su Academia de Arte a que hicieran una evaluación de mis conocimientos.
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No me preguntaron nada, simplemente me citaron para cierto día. Llegue a la hora
indicada, siete maestros me esperaban, los nervios me invadieron al ver que era
a puerta abierta.
Frente a me pusieron varios objetos para que yo hiciera mi composición. Los
reflejos son mi pasión: de plata, cristal, cobre, agua. AI finalizar, espere el
veredicto. Uno de los maestros que era griego me pregunto por los colores
primarios, secundarios y terciarios, lo mire asustada y Ie dije. “Hay Dios, no los
sé”. EI respondió, “entonces, ¿de dónde carambas sacas las combinaciones de
colores?”.
Le di mi explicación y lo que me dijo me desconcertó “Nunca tomes clases, sigue
adelante, puedes ser maestro sin que nadie te ensene, en un solo cuadro has
usado varias técnicas, tienes el don, ya naciste con él”.
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Chata Quintana
My name is Maria del Carmen Quintana Woodworth better known
(Chata Quintana) . I was born on a ranch in Gomez Palacios, Durango, in 1935,
where the blue sky is smearing of Cantabrian Sea mix than running through my
veins defined a wild temper.
My father, Jesus Quintana Villanueva and my mother, Carmen Woodworth, were
the first molded, poured my life. Freedom and joy was the constant in the
family. The brothers, two men and a woman, were part of the landscape that
invited her to paint the emotions a child and later, big sister responsibilities.
At eight years old I made my first oil. I remember that I got a pretty old paintings,
I could hardly open the lid and remove the contents least, but like stubbornness
is one of my characteristics, find the way to do it and so came on a table,
because I had no canvas, my first box consisting of a pumpkin, a brown sugar
and a jug. AI finish the smugness over me. Since then I discovered that my
creation would limit myself, because I had a wealth of inspiration. The painting
consists of several techniques: oil, pastel, watercolor, charcoal and others, all
have practiced and even dared to innovate inventing mixtures. Everything can
improvise, less emotion and feeling.
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These belong to the spirit, and an artist can not called such, if their works do not carry these two ingredients.
The ability to dream I got into his own world where the inhabitants were the imagination, inventiveness and creativity.
Since formally start my activity self-taught painter and ceramist continually wondered how far I had come in art; doubt one could it be that I’m right, or I’m missing? They never stop learning! So, using that I was in New York, went to his Academy of Art to do an assessment of my knowledge.
Do not ask me anything, I just quoted for one day. Arrive on time, seven teachers were waiting, nerves invaded me to see it was a door open. In front of me put several objects for me to make my composition. Reflexes are my passion: silver, crystal, copper, water. AI end, wait for the verdict.
One of the teachers who was Greek I wonder why the primary colors, secondary and tertiary, you look scared and Ie said. “There is God, not know.” EI said, “so, where the heck do you get the color combinations?”.
I gave my explanation and he told me aback “Never take classes, go ahead, you can be master without anyone teach you, in a single frame have used several techniques have the gift, and were born with it.”
I’m sure the art is the main cause of this, because my love for nature and the beauty that God’s work, draws me to make my creations.
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Still Life
Bodegones
B1
B02 B03 9
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B04 B05
B06 B07
10
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B08 B09
B10 B11 11
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B12 B13
B14 B15 12
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B16 B17
B18 B19 13
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B20 B21
B22 B23 14
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B24 B25
B26 B27 15
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B28 B29
B30 B31 16
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B32 B33
B34 B35 17
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B36 B37
B38 B39 18
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B40 B41
B42 B43 19
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B44 B45
B46 B47 20
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B48 B49
B50 B51 21
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B52 B53
B54 B55 22
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B56 B57
B58 B59 23
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B60 B61
B62 B63 24
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B64 B65
B66 B67 25
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B68 B69
B70 B71 26
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B72 B73
B74 B75 27
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B78 B79
B80 B81 28
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B82 B83
B84 B85 29
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B86 B87
B88 B89
30
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B90 B91
B92 B93 31
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B94 B95
B96
B97
32
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B98 B99
B100 B101 33
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B103 B104
B106 B107 34
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B108 B109
B110 B111 35
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B112 B113
B114 B115 36
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B116 B117
B119 37
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Architecture
Arquitectura
A1
A2 A3 38
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A4 A5
A6 A7 39
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A8 A9
A10 A11 40
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A12 A13
A14 A15 41
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A16 A17
A18 A19 42
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A20 A21
A22 A23 43
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A24 A25
A26 A27 44
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A28 A29
A30 A31 45
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A32 A33
A34 A35 46
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A36 A37
A38 A39 47
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A40 A41
A42 A43 48
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A44 A45
A46 49
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Wildlife
Fauna
F01
F02 F03 50
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F04 F05
F06 F07 51
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F08 F09
F10 F11 52
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F12 F13
F14 F15 53
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F16 F17
F18 F19 54
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F20 f21
F22 F23 55
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F24 F25
F26 F27 56
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F28 F29
F30 F31 57
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F32 F34
F35 F36 58
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F37 F38
F39.1 F39.2 59
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F40 F41
F42 60
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Marine
Marinas
M01
M02 M03 61
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M04 M06
M07 M08
62
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M09 M10
M13 M14 63
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M15 M16
M17 M18 64
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M19 M21
M22 M23 65
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M24 M26
66
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Landscapes
Paisajes
P01
P02 P03 67
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P04 P05
P06 P07 68
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P08
P09
P10 P11 69
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P12 P14
P15 P16 70
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P17 P18
P19 P20 71
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P21 P22
P23 P24 72
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P25 P26
P27 P28 73
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P29 P31
P32 P33
74
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P34 P35
P36 P37 75
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P38 P39
P40 P41 76
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P44 P48
P49 P50 77
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P51 P53
P54 P55 78
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P56 P57
79
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Faces
Rostros
R01
R02 R03 80
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R04 R05
R06 R07 81
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R08 R09
R10 R11 82
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R12 R13
R14 R15 83
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R16 R17
R18 R19 84
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R20 R21
R22 R23 85
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R24 R25
R26 R27 86
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R28 R29
R30 R31 87
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R32 R33
R34 R35 88
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R36
R37
R38 R39 89
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R40 R41
R42 R43 90
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R44 R45
R47 R48 91
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R49
92
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Datos técnicos / Technical Information
93
Reproducciones en canvas
Medidas en centímetros varían
dependiendo la pintura
46 x 38 cm,
55 x 46 cm,
61 x 50 cm,
65 x 54 cm,
73 x 60 cm,
81 x 65 cm,
92 x 73 cm,
100 x 81 cm
Canvas reproductions
Inch sizes vary depending painting :
18.1 x 15 Inch ,
21.7 x 18.1 Inch,
24 x 19.7 Inch,
25.6 x 21.3 Inch,
28.7 x 23.6 Inch,
31.9 x 25.6 Inch,
36.2 x 28.7 Inch,
39.4 x 31.9 Inch
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Express Mail Oil Paints Reproductions
94
EXPRESS MAIL SERVICE "EMS“ Mexico (Delivery by United Post Service UPS)
Destination Unit* Total **
US / Canada 1 $33.87 US Dollar
US / Canada 2 to 4 $33.87 US Dollar
US / Canada 5 to10 $40.06 US Dollar
Europe, Caribbean, Central and South America 1 $44.86 US Dollar
Europe, Caribbean, Central and South America 2 to 4 $44.86 US Dollar
Europe, Caribbean, Central and South America 5 to 10 $59.81 US Dollar
Asia, África y Oceania 1 $59.81 US Dollar
Asia, África y Oceania 2 to 4 $59.81 US Dollar
Asia, África y Oceania 5 to10 $78.25 US Dollar
* Unit = Number of reproductios.
** Total = US Dollar
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“EMS” Mexico Reproducciones
95
EXPRESS MAIL SERVICE "EMS“ Mexico
Mexico Norte (1 reproducción) $15.93 US Dollar
Mexico Norte (2 a 4 reproducciones) $15.93 US Dollar
Mexico Norte (5 a 10 reproducciones) $22.61 US Dollar
Mexico Centro (1 reproducción) $14.45 US Dollar
Mexico Centro (2 a 4 reproducciones) $14.45 US Dollar
Mexico Centro (5 a 10 reproducciones) $19.63 US Dollar
Mexico Sur (1 reproducción) $15.11 US Dollar
Mexico Sur (2 a 4 reproducciones) $15.11 US Dollar
Mexico Sur (5 a 10 reproducciones) $21.63 US Dollar
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Express Mail Original Oil Paints
96
EXPRESS MAIL SERVICE "EMS“ Mexico (Delivery by United Post Service UPS)
US / Canada $280.82 US Dollar
Europe, Caribbean, Central and South America $335.82 US Dollar
Asia, África y Oceania $397.82 US Dollar
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Reproduction $76 US Dollar each
Original Oil paint (quote request)
Reproducción $ 76 US Dollar c/u
Oleo Original Solicitar cotización
Unit Price / Precio Unitario
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Fine Art in San Miguel de Allende
San Francisco 36 Centro
San Miguel de Allende, Guanajuato
C.P. 37700 Mexico
Tel: +52 (442) 258 3073
www.galeriaquintana.com
98