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SPIS TRECI

4 Restauracja paacu Carycyno w Moskwie

5 Centrum Konferencyjne Browarw Warka

6 Niedobr miedzi niebezpieczestwo dla zdrowia

7 Trendy w budownictwie mieszkaniowym w Rosji

8 Atrakcyjno turystyczna nowego orodka spa

10 Skalne fundamenty budynku parafialnego w Turku

12 Rozbudowa Domu Studenta projektu AAlto

14 Muzeum de Younga nowy wany punkt na mapie San Franc

18 Dachy o zrnicowanej powierzchni o niezbdnych

mistrzowskich umiejtnociach

19 Szko i mied ozdob budynku oceanograficznego

20 Nowa biblioteka w historycznym otoczeniu

22 Elektrociepownia Skive wyzwanie dla architektury

25 Bezkompromisowe wzornictwo podmiejskich mieszka w Lon

26 Bank w Sztokholmie staje si Domem Architekta

32 Mied w Nagrodach Architektury

36 Rozwj dzielnic nadbrzenych spotkanie budownictwa

mieskaniowego i komercyjnego

38 miae projekty architektoniczne w centrum Dublina

M u z e u m

d e

Y o u n g a

B u

d y n e k p a r a f a l n y w

T u r k u o s a

d z o n y n a s k a l e

O d r e s t a u r o w a n y

P a a c

C a r y c y n o w

M o s k w

i e

B a n

k w

S z t o

k h o

l m i e s t a j e s i

D o m e m

A r c

h i t e k t a

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Wykonawca dachu:KREST METAL, NiepoomiceMied na placu budowy:Produkt: TECUClassicProducent: KM Europa Metal AG, Osnabrck, NiemcyFotografie:PCPMAdres:Warka, ul. Goniewska 65Ukoczenie:2006Waciciel obiektu:Grupa ywiec S.A.

Do wykoczenia pomieszcze centrum wykorzystano mido pokrycia wikszoci cian oraz granitu, z ktrego wykposadzk. We wntrzu budynku dominuje ty kolor klasmiedzi i szaro granitu. Poczenie tych dwch naturalnyc

riaw nadaje wntrzu reprezentacyjny i elegancki wygld.Blacha miedziana ECU Classic o gruboci 0,5 mm zprzytwierdzona do cian budynku za pomoc klejenia. Mta wymagaa od rmy wykonawczej wysokich kwali kacji icierpliwoci. Aby zapobiec brudzeniu si powierzchni ciadotyk, zostaa ona zabezpieczona specjalnym bezbarwnymrem ochronnym.

CentruK nferenc ne Br waru w Warce, Warka

Szlachetno miedzi, solidno granituto haso, ktre inspirowao inwestoraprzy projektowaniu wntrz w budynkuCentrum Konferencyjnego Browaru Warka.

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Architecture romAustria Holland Belgium Luxenburg

Spai Switzerland Czech Republic

Germa y United Kingdom Fi la d

Greece Hungary Italy Norway Pola d

Swede Denmark Russia France

www.copperconcept.org

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Exte sioo Jyvs ylStude t House

By Ilmari Lahdelma Photo Luvata Pori OY

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vice rom KME, A. Zah-ner developed an individ-ual system o copper panelsthat corresponded to the indi-

vidualistic architecture o Her-zog & de Meuron.

Te impressive acade comprises 7,200individual cassettes, each with a di er-ent shape and size. In the entire construc-tion, no two cassettes are alike. Te sheetsare embossed with constantly changing pat-terns, based on digitally enhanced photos o trees in Golden Gate Park. Tis gives the acadea multi arious sur ace that is rich in nuances. Te

intention o the embossing and per oration is to givean impression o light ltering through treetops. Apart rom the rst, long-lasting impression o the cop-per cladding, the building itsel is a ascinating exampleo innovate architecture. Large, spacious bands o windowsneutralise the borders between the inner rooms and the rich,natural environment outside. Te museum has our invitingentrances that can be reached by walking along di erent pathsin the park. Tis is a museum that is transparent, open and invit-ing to all sides. Te main entrance consists o a nine metre wideopening, behind which a copper-covered passage leads to the central

atrium; a magni cent room where the Italian limestone oor seamlessly leads to the neighbouring galleries. A long ight o stair takes visitors tothe oor below and stretches over a 60 metre-long inner courtyard terracesurrounded by erns. Visitors are guided through the beauti ul garden viaglass-covered bridges.

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On the north-eastern sideo the building there is an

approximately 44 metre-highrectangular tower, home to the

museums teaching and seminarrooms. Tere is also a viewing oor

that can be accessed by visitors, andthat provides a beauti ul view over the

entire bay area around San Francisco.

Visitors to the De Young Museum o ten canbe seen stroking the copper acade with their

hands. Tey want to eel the texture o the cop-per, examine the per orations with their ngers

and look closely to see how the patterns change. Tecopper acade is the strong point o the building and

it works both up close and at a distance. Te patinatedcopper makes the building blend into the colour scheme

o the surrounding landscape. Te light ltering throughthe many per orations resembles the light ltering through

the oliage in the park. Trough the amazing new technique,the museum has become a work o art in itsel .

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R B

Kazimierz DolnyTe multi-sur ace roo o the residential building built in Kaz-imierz Dolny has a very interesting but complicated structure.Te overall roo sur ace o 400 sq metres has been clad with5,700 pre abricated diamond-shaped copper tiles.

Tis method o roo cladding creates an airy but at the sametime solid look, which is a huge advantage when the roo con-sists o as many as 18 di erent sur aces and eyebrow windows.Te elements o the roo covering have been pre abricated rom

0.55 mm-thick copper sheet in the shape o 68 cm-wide copperstrip.

Te building is also equipped with a pre abricated gutter system,assembled by sections that are up to 6 metres in length. Tecomplex structure o the roo and the our eyebrow windowsrequired masterly skills and cra tsmanship o the roo ers. Tecomplicated roo assembly went on or two months. A ten-yearguarantee period is provided by the contractor.

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Photo PCPM

The buildi g o the I stitute o

Ocea ography at the U iversity o

Gda s exemplifes a moder style

o architecture, i which both loo

a d u ctio are adjusted to meet

the requireme ts o the buildi gs

didactic a d research purposes.

Te acade is a combination o so t,light-green glass panels and intense tur-quoise-coloured elements covered withpatinated copper sheet ECU Patina.Te arrangement o the glass panels on

the acade o the building gives the im-pression o sea waves. Glass and copperelevation makes the heavy body o thebuilding appear much lighter.

Te top part o the building resembles a wheelhouse o a ship, while the hangingpassageway linking the aculty buil-dings resembles a gangway because o its lightweight construction o glass andpatinated copper.

Te 1300 sq metres sur ace area o theacade has been covered with coppersheet ECU Patina with a thicknesso 0.7 mm. Patina has also been used todecorate the interior o the building.

The I stitute o Ocea ographyBuilding o the univeRsity o gdansk in gdynia

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New library in historic milieu

Te main library orms the cultural campus o Lohja towtre together with the Church o Saint Lawrence, the schtre, the Laurentius Hall, the West Uusimaa Music Institthe Hiisi Institute. As suggested by the name o the wentry, the library building acts as a pre ace, with its arcleading the ow o people rom the direction o the town

to the cultural campus and to the library itsel .

The Tow o Lohja orga ised

ope architectural competitio

2002 to desig a mai library. A

the competitio , the desig proje

proceeded swi tly o the basis

the desig used i the wi i g e -

try, called PREFACE. The ma

brary was ope ed i Ja uary 200

Te central location o the building in the town creates

cellent starting point or the activities o the library. Hthe plot chosen or the library, partly inside a town blocmany challenges to the total solution. Te longitudinastorey building, with selected openings to the environadapted to its location through olded wall lines.

With red brick as the primary acade material, the liintegrated into the existing public building stock, whilerior spaces the red brick walls collect the openly inter-c

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spaces into an entity, and emphasise the main viewing direc-tions toward the town centre and the old church.

Te evident horizontality o the building, created by the mainly two-storey design, has in spatial terms been opened upward with conic roo light structures. Tese Hatti atteners also play

a role in the townscape.

Te objective o the selection o materials based on red brick,

copper, glass and maple sur aces, the intentionally broad-mind-ed, olded division o masses and the pseudo-random acadeopenings has been to create the aesthetic purpose ulness char-acteristic o cultural buildings.

Te main library o Lohja is literally built-on-site, with its cast-in-situ post-stressed concrete rame and red brick walls.

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Aura is a outsta di g ew apart-

me t buildi g overloo i g Pec -

ham Rye Par a d Commo i the

Lo do suburb o Pec ham. The

developme t co sists o 68 apart-

me ts, 50 o which are privately

ow ed a d 18 are ow ed by a hous-

i g associatio .

Tis building makes a clear statement re-garding the pleasure o living with beau-ti ul design and architecture. Te shello the building consists o owing pre-patinated copper around the penthousepod with a slender prepatinated coppercentral acade anked on either side by cedar planking. Te interior design issimilarly uncompromised with state o the art kitchen and bathroom ttingsand the possibility to speci y networkedentertainment systems throughout theapartment.

Te design premise or the penthouse wasthat the standing seams should be verti-cal on both opposite sides o the pod andcontinuous across the roo . Tis provedto be problematical as the plan o thepenthouse is trapezium in shape, which would naturally result in the verticalseams kicking out, the very tight radiusor the curves would push the roo ngmaterial near to the limits o ormability without damage to the patina. However,a solution was engineered that made thedesign possible and it is reasonable to as-sume that the complexity will go largely unnoticed.

AURA Peckham R

d p r B r: George Wimpey PLCor C c p arc c : Steve Jelley -Clague Architects/George Wimpeyt c c C C r c d : Simon Glenister - BHD (Barret Haskins Designs)s r c r e r : Eastwood and Partnerss s r c r : Watts ConstructionR f C r c r : All metal Roo ngPhoto Luvata UK

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For many years, the copper house had white awnings. The aw nings made the aade varied and rich.

The change rom red granite and brown br ick to copper is brilliantly designed.Note that the copper takes up the older buildings aade structure.

ventilated air pockets to lead away theheat. By placing the awnings in variouspositions, di erent patterns were createdin the aade. Te white awnings, withtheir harmonious and play ul rhythm,became like a musical score with vari-ations that stimulated the eye; an unex-

pected esthetical e ect that enriches theappreciation o the building. Te archi-tects had success ully brought togetherconstruction, materials and appearancein an unusual way. Te exciting aadecan be seen and enjoyed by the ap-proximately 85 000 people who pass thebuilding every day.

Ivar engbom, who was 82-years old atthe time, ollowed the project with great

interest and saw the new building as aper ect match to his old building.

Te bank building was inaugurated in1962. Te buildings architecture wasdescribed as one o the best o its time,and it was considered to be one o Stock-holms most interesting buildings. It waspopularly called the copper house onHornsgatan.

Th c pp h b c m thA ch t ct h A ter 15 years the bank went through areorganization. Te copper house wastaken over by the Swedish Associationo Communes. At rst, the old interior

with small individual ofces or bank personnel remained. Ten, open-planofces became popular, with large openareas where everyone could see, and beseen by, everyone else. Dividing walls were torn down and a large sea o oorspace emerged.

Tis was what the modern architect rm wanted; the copper house was per ect asarchitecture ofces, and at the same timeit represented the best o Swedish archi-tecture.

oday, our entire oors house architec-ture rms, one on each oor. Tey are

Hans Murman, Ahlqvist & Almqvist,Lindberg & Stenberg and Hederus-

Malmstrm-Widegren. I visited each o them to get their view on architectureand copper.Te copper house as a building or archi-tects has many advantages. It is easier orthe di erent ofces to cooperate whenthey are only a ew ights o stairs apart,and a world-encompassing knowledge isgathered under the same roo . At times,projects are too big to be handled by onerm alone, or two ofces may decide to

work together or a contest. Occasion-ally, both husband and wi e work asarchitects in the building, but on di er-ent oors. Te building, pro ession andindividual have become one, a kind o architect integration.

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HAns MurMAn ArCHiTeCTsHans Murman Architects with 26employees has o ce space onthe two top foors o the copperhouse. Hans Murman is the soleowner o the rm. The o ce, likemost architecture rms, designseverything, small and big, rom ar-mature and urniture to parks and

cities. Murman is seriously committed to build environmen-tally riendly houses, so called ecological architecture. SngaSby educational training acility in Stockholm is such an eco-logical building. In 2006 it earned the rm the Stockholm CityEnvironmental Diploma or environment- riendly work, policy,goals and activity program.

The sunlight lters through the o ce windows copper-greenawnings, ramed by the copper on the aade. As we talk,Hans Murman proudly shows me a small model. This is thewinning proposal or Sametinget in Kiruna. The proposal isvery unusual. The building is hal -moon-shaped and the con-vex aade in the back leans 45 o towards the sky and ends in

a pointed arch. The proposal has received much attention.A larger model is now shown at the International ArchitectTrienal in Venice.

What is your relation to copper? I ask. Hans Murman laughs. I come rom Dalarna and was practically born in the Falucopper mine. I have copper in my blood. I use copper in mybuildings whenever possible, as the material has so manygood characteristics. I wouldnt hesitate to design an entirebuilding clad in copper.

Hans Murman nds the architect qualitymore important than the quantity.

The proposal to Sametingets building hasreceived international attention

i th C pp HTe Copper House can be seen at a great distance inthe urban landscape. When approaching the build-ing you are met by the expressive copper aade. At

the main entrance there is a heavy glassed-in copperdoor. You enter the architect ofce through a lighterglassed-in copper door. Inside, sunlight lters throughthe awnings along the external wall. Te large ofce isooded by light. Below the ceiling, the slender copperarmature shines down on a model, a drawing or photoshowing the rms latest project.

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R w r d C pp

By Chris Hodson MA, Dip Arch (Cantab), RIBA a chartered architect inthe UK and consultant to the European Copper in Architecture Campaign.

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The European Copper in Architecture Campaign (ECAC) has just launched its next majorAwards programme including a special award or the best European architectural projects.This will be the 13th Copper in Architecture Awards, a design-led competition which startedin the UK but has developed to include a special award or the best recently completed buil-dings in European countries participating in the European Copper in Architecture Campaign.

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cr b pr j c : bc rc w r c pp r b r , m c c , w c r c r w -

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r b , sw z r , tt P r r.

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This modest group o three houses in the Republic o Ire-land was designed by architects de Blacam and Meagher.It beat o sti competition rom other major public build-ings to win the 10th Copper in Architecture Awards.

Photo CDA.ORG.UK

New Ham Bow, South London.

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C pp A n w B

Project l b Q M x u d pm Address t d b d c d pm s 3, d b 2

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4 5 6 7 8-9 10-11

12-13 14-17 18 19 20-21 22-24

25 26-31 32-35 36-37 38

CRW_0002

www. r mm z .p

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