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9

Summar y of the First ASEAN Symposium on Aes thetic s, Workshop and Exhibition in Kuala Lumpur

Syed Ahmad JAMAL Director , National Art Gallery, Kuala Lumpur

With a rich he ritage in the visual arts in the ASEAN regio n the re is need for awareness and understanding of the arts wh ich a re traditional, as well as contemporary artistic manifestat ion. It was realised that this can be achieved by means of a gathe ring of a rtists and art experts from the ASEAN countries.

The project was based on the proposal by Malaysia for an ASEAN Art Collect ion and Tha iland's proposal for a Forum on Aesthetics and Workshop in Visual Arts.

The pro ject was intended to enhance the recognition of ident ity in aesthetics in visual art related to the role of art ists, educators, writers, critics and the art public ; and to share creative experience among artists from the ASEAN region.

It serves as cultural documentation of paintings and pri nts re ­lated to ar t works by ASEAN artists , forming a bas is for an ASEAN Art Collection in each of the membe r countries .

Persuant to the decision made at the Twentieth Meeting of the ASEAN Committee on Culture and Informat ion in Bangkok , Tha i­land on 19-22 June 1989, the Preparatory Meeting of Experts pro ­posed that the First ASEAN Symposium on Aesthet ics , Workshop and Exhibition be convened in Kuala Lumpur on 8-10 August 1989.

1. Theme of Symposium and Workshop 'Tradition , the Source of Inspiration '

2.Venue The venue for the symposium, workshop and exhibition was at the National Art Gallery , Kuala Lumpur.

3. The programme was divided into three parts a) Symposium : 18- 21 October b) Workshop 3-21 October cl Exhibition 9-27 October

4 . Object ives of the Symposium a) To enhance the recognition of ident ity in aesthetics in re lation

to the visual arts in the ASEAN region. b) To exchange concepts on aesthet ics in the visua l arts related

to the role of artists, educators, wr iters and critics. cl To share creative experience among artists from the ASEAN

region. d} To set up an ASEAN Visual Art Resource Centre in each

member country.

5. The Symposium was divided into three areas 1. 'Traditional Aesthetics in the Visual Arts' 2. 'Contemporary Expression' 3 . 'Strategies Developed for the Visual Arts ' Three del egat es from each of the ASEAN count ries , Brune i Darussalam , Indonesia , Malaysia , Philippines , Singapore and Thailand presented papers at the sympos ium - one de legate delivering one paper. The four days symposium was attended by on average, 60 observers , composed of academicians , a rtists, art lovers, w rite rs , journalists , students and members of the general public.

The delegates to the symposium were as follows:­

a } Brunei Darussalam i} Awang bin Sitai

ii) Abdul Ghani Bujang iii } Pengiran Haji Hashim Pengiran Haji Mohd Jadid

b) Indonesia i) Wiyoso Yudoseputro

ii) Heribertus Sutopo iii) But Much tar

cl Malaysia i) Ismail Zain

ii) Zakaria Ali iii) Wong Hoy Cheong

d) Philippines i) David B. Baradas

ii) Alice G. Guillermo iii) Alice A Panares

e) Singapore i) TK. Sabapathy

ii) Brother Joseph McNally f) Thailand

i) Chakrarot Chitrabongs ii) Itthi Khongkhakul

iii) Damrong Wong-Uparaj

6. Workshop The artists to the workshop were as follows :

a) Brunei Darussalam i) Haji Marsidi bin Haji Akip (Painter)

ii) Othman Haji Moksin (Printmaker) b) Indonesia

i) Gung Wayan Tjidera (Painter) ii) Tisna Sanjaya (Printmaker )

c) Malaysia i) Syed Thajudeen (Paintter)

ii) Chew Teng-Beng (Printmaker) d) Philippines

i) Norma Belleza (Painter ) ii) Manuel D. Baldemor (Printmaker)

e) Singapore i) Goh Beng -Kwan (Painter)

ii) Tay Chee-Toh (Painter) f) Thailand

i) Sawasdi Tantisuk (Painted ii) Prayat Pongdam (Printmaker)

7. Exhibition The exhibition by 12 ASEAN artists who participated in the workshop was held in the Main Exhibition Hall of the National Art Gallery from 9-27 October 1989. Every artist brought works

previously done and later added new works made during the

workshop.

It is hoped the symposium and workshop will continue to develop into a series of similar activities which will help to enhance awareness and understanding of visual art in ASEAN countries at all levels from the layman to the highest academic level.

This gathering of experts , with exchange of ideas will further

enrich documentation of information , data and views on the visual

art heritage, the state of contemporary expression , and strategies taken in the development of visual art in ASEAN countries. The

publication of papers , journal and books will enrich literature on

the study of ASEAN art. The ASEAN Art Collection should provide awareness of the

dynamic creativity by ASEAN artists. The display of plastic visual manifestations reflect the natural abundance , climatic environ­ment, history , cu lture, faith , philosophy , and influences-expressed

through a rich tapestry of form , pattern , line, texture , colour­

symbolising tradition as the roots of inspiration .

10