Download - Tipografia y estilos tipográficos
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ANATOMÍA TIPOGRÁFICA
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Línea base
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Línea media o “x”
Línea base
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Mayúsculas
Línea media o “x”
Línea base
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Ascendentes
Mayúsculas
Línea media o “x”
Línea base
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Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
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AscendenteAscendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
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AscendenteAscendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Descendente
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Asta AscendenteAscendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Descendente
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Asta AscendenteAscendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Barra
Descendente
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Asta
Remate
AscendenteAscendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Barra
Descendente
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Asta
Remate
Ascendente
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Barra
Descendente
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Asta
Remate
Lágrima
Ascendente
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Barra
Descendente
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Asta
Remate
Lágrima
Ascendente
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Oreja Barra
Descendente
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Asta
Remate
Ojal Superior Lágrima
Ascendente
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Oreja Barra
Descendente
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Asta
Remate
Ojal Superior Lágrima
Ascendente
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Oreja Barra
Descendente Ojal inferior
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Asta
CuelloRemate
Ojal Superior Lágrima
Ascendente
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Oreja Barra
Descendente Ojal inferior
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Asta
CuelloRemate
Ojal Superior Lágrima
Ascendente
Contrapunzón
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Oreja Barra
Descendente Ojal inferior
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Asta
CuelloRemate
Ojal Superior Lágrima
Ascendente
ColaContrapunzón
Panza
Ascendentes
Mayúsculas
Línea media o “x”
Descendentes
Línea base
Oreja Barra
Descendente Ojal inferior
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CLASIFICACIONES TIPOGRÁFICAS
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Centaur, Schneidler, Augustea, Bembo, Poliphilus
VENECIANA O RENACENTISTA
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Hamburguefonts
Garamond, Janson, Elzevir, Caslon
GARALDA O BARROCA
Hamburguefonts
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Hamburguefonts
Baskerville, Fournier, Bell
DE TRANSICIÓN O NEOCLÁSICA
Hamburguefonts
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Hamburguefonts
Didot, Bodoni, Bulmer, Berthold Walbaum
DIDONA O ROMÁNTICA
Hamburguefonts
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Hamburguefonts
Akzidenz Grotesk, Haas Clarendon, Helvetica
REALISTA
Hamburguefonts
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Hamburguefonts
Futura, Avant Garde, Century Gothic, Memphis
MODERNISTA GEOMÉTRICA
Hamburguefonts
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Hamburguefonts
Palatino, Spectrum, Dante, Pontifex
MODERNISTA
Hamburguefonts
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Hamburguefonts
Esprit, Nofret
POSMODERNISTA
Hamburguefonts
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Hamburguefonts
Futura, Avant Garde, Century Gothic, Memphis
POSMODERNISTA GEOMÉTRICA
Hamburguefonts
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ESTILOS TIPOGRÁFICOS
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RegularRomanaRedonda
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REGULARROMANAREDONDA
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CursivaItálica
Italica Itálica Italica Falsa Itálica
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VersalitasVersalitas
Small CapS
Small Caps
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BoldBoldBoldBold
BoldBoldBoldBold
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One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.It’s just no good anymore since you went away. Now I spend my time just making rhymes of yesterday.Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever
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One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experi-ence you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.It’s just no good anymore since you went away. Now I spend my time just making rhymes of yesterday.
![Page 39: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/39.jpg)
One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s
the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experi-
ence you’ll ever know. Because one is the loneliest number that you’ll ever do. One
is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making
![Page 40: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/40.jpg)
One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the lone-
liest number since the number one.“No” is the saddest experience you’ll ever
know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneli-est number that you’ll ever do. One is the
loneliest number that you’ll ever know.It’s just no good anymore since you went away. Now I spend my time just making
rhymes of yesterday.Because one is the loneliest number that
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One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest num-ber since the number one.“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.It’s just no good anymore since you went away. Now I spend my time just making rhymes of yes-terday.Because one is the loneliest number that you’ll
![Page 42: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/42.jpg)
One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yesterday.
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One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yes-terday.
Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll
![Page 44: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/44.jpg)
One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest num-ber since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yester-day.
Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever
![Page 45: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/45.jpg)
One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yesterday.
Because one is the loneliest num-ber that you’ll ever do. One is the loneliest num-
![Page 46: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/46.jpg)
One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yes-terday.
Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll
![Page 47: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/47.jpg)
ONEOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yes-terday.
![Page 48: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/48.jpg)
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yes-terday.
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Lyrics
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
It’s just no good anymore since you went away. Now I spend my time just making rhymes of yes-terday.
![Page 50: Tipografia y estilos tipográficos](https://reader033.vdocumento.com/reader033/viewer/2022050815/5450ae8bb1af9f15098b4e9c/html5/thumbnails/50.jpg)
AIMEE M ANN
Lyrics
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
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AIMEE M ANN
Lyrics
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
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AIMEE M ANN
Lyrics
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know.
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AIMEE M ANN
Lyrics
Magnolia Soundtrack
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll
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w Artistas de renombre wAIMEE M ANN
Lyric s
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
Subtítulo“No” is the saddest experience you’ll ever know. Yes, it’s the saddest ex-perience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know. It’s just no good anymore since you went away. Now I spend my time just making rhymes of yesterday.
Párrafo secundarioBecause one is the loneliest number that you’ll ever do. One is the loneli-est number that you’ll ever know. One is the loneliest number. One is the loneliest number. One is the loneliest number that you’ll ever do.
Coro: One is the loneliest number, much much worse than two. One is the number divided by two
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Artistas de renombre
AIMEE MANN
Lyrics
OneOne is the loneliest number that you’ll ever do. Two can be as bad as one. It’s the loneliest number since the number one.
Subtítulo“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest number that you’ll ever do. One is the loneliest number that you’ll ever know. It’s just no good anymore since you went away. Now I spend my time just making rhymes of yesterday.
Párrafo secundarioBecause one is the loneliest number that you’ll ever do. One is the loneliest num-ber that you’ll ever know. One is the loneliest number. One is the loneliest num-ber. One is the loneliest number that you’ll ever do.
Coro: One is the loneliest number, much much worse than two. One is the num-ber divided by two
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ALTASVersalitasBold
ItalicasRegulares
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ALTASVersalitasversalitasBoldbold
Italicasitalicas
Regulares
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AltasALTAS
VersalitasVersalitasversalitas
Boldbold
Italicasitalicas
Regulares
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One is the loneliest number that you’ll ever do. Two can be as bad as one. It’s
the loneliest number since the number one.
“No” is the saddest experience you’ll ever know. Yes, it’s the saddest experience you’ll ever know. Because one is the loneliest num-ber that you’ll ever do. One is the loneliest number that you’ll ever know.