canciones traducidas.doc

8/12/2019 canciones traducidas.doc

1/19


2/19

YELLOW SUBMARINE/SUBMARINO AMARILLO (MCCARTNEY/LENNON)

!n the to)n )here ! )a* +orn

L-ed a .an )ho *aled to *ea

And he told u* o/ h* l/e

!n the land o/ *u+.arne*So )e *aled u0 to the *un

Tll )e /ound the *ea o/ 1reen

And )e l-ed +eneath the )a-e*

!n our yello) *u+.arne

We all l-e n our yello) *u+.arne

Yello) *u+.arne, yello) *u+.arne



And our /rend* are all on +oardMany .ore o/ the. l-e ne2t door

And the +and +e1n* to 0lay





A* )e l-e a l/e o/ ea*e

E-eryone o/ u* ha* all )e need

S3y o/ +lue and *ea o/ 1reen

!n our yello) *u+.arne






3/19

YELLOW SUBMARINE/SUBMARINO AMARILLO (MCCARTNEY/LENNON)

En la cudad donde nac4

&-4a un ho.+re 5ue na-e1a+a lo* .are*

Y no* cont6 *u -da

En el 0a4* de lo* *u+.arno*A*4 5ue 7ar0a.o* haca el *ol

#a*ta encontrar el -erde .ar

Y --.o* +a8o la* ola*

En nue*tro *u+.arno a.arllo

Todo* --.o* en un *u+.arno a.arllo

Su+.arno a.arllo, *u+.arno a.arllo



Y todo* nue*tro* a.1o* e*t9n a +ordoMucho* .9* --en al lado

Y la +anda e.0e7a a tocar





Lle-a.o* una -da /9cl

Tene.o* todo lo 5ue nece*ta.o*

Celo a7ul y -erde .ar

En nue*tro *u+.arno a.arllo






4/19

Bac3*treet Boy* ( !nco.0leteE.0ty *0ace* /ll .e u0 )th hole*

D*tant /ace* )th no 0lace le/t to 1o

Wthout you )thn .e ! can%t /nd no re*t

Where !%. 1on1 * any+ody%* 1ue**

!%-e tred to 1o on

L3e ! ne-er 3ne) you

!%. a)a3e

But .y )orld * hal/ a*lee0

! 0ray /or th* heart to +e un+ro3en

But )thout you all !%. 1on1 to +e * nco.0lete

&oce* tell .e ! *hould carry on

But ! a. *)..n1 n an ocean

All alone

Ba+y, .y +a+y!t%* )rtten on your /ace

You *tll )onder / )e .ade a +1 .*ta3e

!%-e tred to 1o on


!%. a)a3e




! don%t .ean to dra1 t on,

But ! can%t *ee. to let you 1o

! don%t )anna .a3e you /ace th* )orld alone

! )anna let you 1o :alone;

!%-e tred to 1o on


!%. a)a3e




!nco.0lete


5/19

Bac3*treet Boy* ( !nco.0leto

E*0aco* -ac4o* .e llenan de a1u8ero*

Ro*tro* d*tante*, *n un lu1ar a donde r

Sn t dentro de .4 no encuentro re0o*o

A donde -oy, todo* *e 0re1untan

#e ntentado *e1ur adelante

Co.o * no te hu+era conocdo

E*toy de*0erto

Pero . .undo e*t9 dor.do .edo dor.do

Re7o 0or 5ue e*te cora76n roto *ea re0arado

Pero *n t *olo e*toy nco.0leto

&oce*, .e dcen 5ue de+o *e1ur adelante

Pero e*toy nadando en un oc


6/19

#lary Du// ( Wa3e u0

There>* 0eo0le tal3n1

They tal3 a+out .e

They 3no) .y na.e

They thn3 they 3no) e-erythn1But they don>t 3no) anythn1 a+out .e :a+out .e;

$-e .e a dance /loor

$-e .e a DJ

Play .e a record

For1et )hat they *ay

Cau*e ! need to 1o

eed to 1et a)ay ton1ht :ton1ht;

! 0ut .y .a3eu0 on a Saturday n1ht

! try to .a3e t ha00en, try to .a3e t all r1ht! 3no) ! .a3e .*ta3e*

!%. l-n1 l/e day to day

!t>* ne-er really ea*y

But t>* o3

?Choru*@

Wa3e u0, )a3e u0

On a Saturday n1ht

Could +e e) Yor3

May+e #olly)ood and &ne

London, Par*

May+e To3yo

There>* *o.ethn1 1on1 on

Any)here ! 1o ton1ht

Ton1ht, yeah ton1ht

The cty>* re*tle**

!t>* all around .e

Peo0le n .oton

And *c3 o/ all the *a.e routne*

And they need to 1oThey need to 1et a)ay ton1ht :ton1ht;

! 0ut .y .a3eu0 on a Saturday n1ht

! try to .a3e t ha00en try to .a3e t all r1ht

! 3no) ! .a3e .*ta3e*

!%. l-n1 l/e day to day

!t>* ne-er really ea*y

But t>* o3

?Choru*@

Peo0le all around .e


7/19


8/19

#lary Du// ( De*0erta

#ay 1ente ha+lando

Ello* ha+lan *o+re .

Ello* Conocen . no.+re

Ello* 0en*an 5ue lo *a+en todoPero ello* no conoce* nada *o+re . :*o+re .;

Da.e una 0*ta de +ale

Da.e un DJ

T6ca.e un


9/19

A donde 5uera 5ue -alla*

$ente a tu alrededor

Ello* real.ente no te conocen

Todo* .ran 5ue e* una cla*e de *ho)

Todo* .ran

Pero real.ente no te conocen ahora:ello* real.ente no te conocen, real.ente no te conocen a t;

Y 0or *e.0re

De*0erta, de*0erta :de*0erta, de*0erta;

De*0erta, de*0erta :de*0erta, de*0erta;

?Coro@

E*ta noche, e*ta noche


10/19

Ol-a e)ton John John Tra-olta ( You%re the one that ! lo-e

! 1ot chll*, they%re .ult0lyn%

And !%. lo*n% control

Cau*e the 0o)er you%re *u00lyn%

!t%* electr/yn%You +etter *ha0e u0 %cau*e ! need a .an

And .y heart * *et on you

You +etter *ha0e u0

You +etter under*tand

To .y heart ! .u*t +e true

othn1 le/t, nothn1 le/t /or .e to do

You%re the one that ! )ant



The one that ! )antThe one ! need

Oh ye* ndeed

!/ you%re /lled )th a//ecton,

You%re too *hy to con-ey

Medtate n .y drecton, /eel the )ay

! +etter *ha0e u0

Cau*e you need a .an

Who can 3ee0 .e *at*/ed

! +etter *ha0e u0!/ !%. 1onna 0ro-e

That .y /ath * 8u*t/ed

Are you *ure

Ye*, !%. *ure do)n dee0 n*de


11/19

Ol-a e)ton John John Tra-olta ( Ere* a 5uen yo a.o

Ten1o e*calo/r4o*, *e e*t9n .ult0lcando

Y e*toy 0erdendo el control

Por5ue la 0otenca 5ue 0ro0orcona*

E*t9 electr7andoMe8or 0re09rate 0or5ue nece*to un ho.+re

Y . cora76n e*t9 0ue*to en t

Me8or 0re09rate

Me8or entende

Con . cora76n de+o *er aut


12/19

Scor0on* ( Wnd o/ chan1e

! /ollo) the Mo*3-a

Do)n to $or3y Par3

L*tenn1 to the )nd o/ chan1e

An Au1u*t *u..er n1htSolder* 0a**n1 +y

L*tenn1 to the )nd o/ chan1e

The )orld * clo*n1 n

Dd you e-er thn3

That )e could +e *o clo*e, l3e +rother*

The /uture%* n the ar

! can /eel t e-ery)here

Blo)n1 )th the )nd o/ chan1e

Ta3e .e to the .a1c o/ the .o.entOn a 1lory n1ht

Where the chldren o/ to.orro) drea. a)ay

!n the )nd o/ chan1e

Wal3n1 do)n the *treet

D*tant .e.ore*

Are +ured n the 0a*t /ore-er

! /ollo) the Mo*3-a

Do)n to $or3y Par3L*tenn1 to the )nd o/ chan1e

Ta3e .e to the .a1c o/ the .o.ent

On a 1lory n1htWhere the chldren o/ to.orro) *hare ther drea.*

Wth you and .e


On a 1lory n1ht



The )nd o/ chan1e +lo)* *tra1ht

!nto the /ace o/ t.e

L3e a *tor. )nd that )ll rn1

The /reedo. +ell /or 0eace o/ .nd

Let your +alala3a *n1

What .y 1utar )ant* to *ay


On a 1lory n1ht

Where the chldren o/ to.orro) *hare ther drea.*Wth you and .e


13/19


On a 1lory n1ht




14/19


15/19

Ll


16/19

Back Street Boys - As long as you love me

Althou1h lonelne** ha* al)ay* +een a /rend o/ .ne

!%. lea-n1 .y l/e n your hand*Peo0le *ay !%. cra7y and that ! a. +lnd

R*3n1 t all n a 1lanceAnd ho) you 1ot .e +lnd * *tll a .y*tery

! can%t 1et you out o/ .y head

Don%t care )hat * )rtten n your h*tory

A* lon1 a* you%re here )th .e

! don%t care )ho you are

Where you%re /ro.

What you dd

A* lon1 a* you lo-e .e

Who you are

Where you%re /ro.Don%t care )hat you dd


E-ery lttle thn1 that you ha-e *ad and done

Feel* l3e t%* dee0 )thn .eDoe*n%t really .atter / you%re on the run

!t *ee.* l3e )e%re .eant to +e


Where you%re /ro.

What you ddA* lon1 a* you lo-e .e

Who you are

Where you%re /ro.

Don%t care )hat you dd


!%-e tred to hde t *o that no one 3no)*

But ! 1ue** t *ho)*

When you loo3 nto .y eye*

What you dd and )here you%re co.n% /ro.

! don%t care, a* lon1 a* you lo-e .e, +a+y'


Where you%re /ro.

What you dd


Who you are

Where you%re /ro.

Don%t care )hat you dd



17/19


18/19

Back Street Boys - Mientras me ames

Aun5ue la *oledad *e.0re ha *do . a.1a

E*toy de8ando . -da en tu* .ano*La 1ente dce 5ue e*toy loco y 5ue e*toy ce1o

Arre*19ndolo todo en una .radaY co.o .e tene* ce1o e* aHn un .*tero

o 0uedo *acarte de . ca+e7a

o .0orta la 5ue e*t9 e*crto en tu h*tora

Mentra* e*t


19/19

=ue hc*te

Mentra* .e a.e*

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