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8

from

A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by Jos ngel Garca Landa

(University of Zaragoza, Spain)

Aesthetics

General

Early works

Miscellaneous

General

Adorno, Theodor. W. Aesthetische Theorie. Frankfurt, 1973.

_____. Aesthetische Theorie. Frankfurt a/M: Suhrkamp, 1970.

_____. Aesthetic Theory. Trans. Christian Lenhardt. Ed. G. Adorno and R. Tiedmann. London: Routledge, 1984.

_____. Aesthetic Theory. Trans. Robert Hullot-Kentor. Minneapolis: U of Minnesota P, 1997.

_____. Teora esttica. Madrid: Taurus, 1980.

_____. Teora esttica. Barcelona: Orbis, 1984.

_____. From Aesthetic Theory. In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986. 1990. 232-38.*

Alain. Systme des beaux-arts. 1920. Paris: Gallimard, 1926.*

Babbitt, Irving. The New Laokoon. 1910.

Banfi, A. Filosofa del arte. Barcelona: Pennsula, 1987.

Batteux (Abb). Trait des beaux-arts rduits un mme principe. 1746.

Bayer, R. Historia de la esttica. Mxico: F.C.E., 1975.

Beardsley, Monroe C. Aesthetics: Problems in the Philosophy of Criticism. New York: Harcourt, Brace, 1958.

_____. Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis and Cambridge: Hackett, 1981.*

_____. Aesthetics from Classical Greece to the Present. New York: Macmillan, 1966.

Beardsley, Monroe C., and John Hospers. Esttica : Historia y Fundamentos. Madrid: Ctedra, 1984.*

Bell, Clive. Art. 1913. New York: Capricorn, 1958.

Carritt, E. F. Philosophies of Beauty from Socrates to Robert Bridges. Oxford, 1931.

Collingwood, R. G. The Principles of Art. 1938.

Croce, Benedetto. "Fundamental Theses of an Aesthetic as Science of Expression and General Linguistic" (in Italian). Acts of the Academia Pontatiana 30 (Naples, 1900). Rev. version in the first part of Aesthetic.

_____. Aesthetic as Science of Expression and General Linguistic. Trans. Douglas Ainslie. London: Macmillan, 1909. 2nd ed., rev., 1922.

_____. Aesthetic as Science of Expression and General Linguistic. Trans. Douglas Ainslie. Rev. ed. London: Vision Press / Peter Owen, 1953. New ed. 1967.*

_____. Aesthetic as Science of Expression and General Linguistic. Trans. Douglas Ainslie. New York: Farrar, 1972.

_____. "Aesthetic". In Adams 727-735. Trans. from Estetica come scienza dell' espressione e linguistica. 1902.

_____. Estetica como ciencia de la expresin y lingstica general. Buenos Aires: Nueva Visin, 1969.

_____. Problemi di estetica. Bari, 1910. (Problems of Aesthetic and Contributions to the History of Aesthetic in Italy ).

_____. Breviario di Estetica. Bari: Laterza, 1913.

_____. Brviaire d'Esthtique. Trans. Georges Bourgin. Paris, 1923.

_____. Breviario de Esttica. Madrid : Espasa-Calpe, 1979.

_____. "Aesthetics". Trans. R. G. Collingwood. Encyclopaedia Britannica. 14th ed. New York, 1929.

Dufrenne, Mikel. Phnomnologie de l'exprience esthtique. Paris: PUF, 1953.

_____. The Phenomenology of Aesthetic Experience. Trans. Edward S. Casey et al. Evanston: Northwestern UP, 1973.

_____. Fenomenologa de la experiencia esttica. Valencia: Fernando Torres, 1982. Trans. of Phnomnologie de l'exprience esthtique.

Dutton, Denis. The Art Instinct: Beauty, Pleasure, and Human Evolution. Bloomsbury, 2009; Oxford: Oxford UP, 2009.

Eco, Umberto. La definicin de arte. Barcelona: M. Roca, 1970.

Eyot, Y. Gnesis de los fenmenos estticos. Barcelona: Blume, 1980.

Farr, Luis. Categoras estticas. Madrid: Aguilar, 1967.

Ferry, Luc. Homo Aestheticus. Paris: Le Livre de Poche.

Fischer, Ernst. La necesidad del arte. Barcelona: Pennsula, 1967.

Gabs, Ral. Esttica: El Arte como fundamento de la sociedad. Barcelona: Humanitas, 1984.

Gadamer, Hans-Georg. La actualidad de lo bello. El arte como juego, smbolo y fiesta. Trans. Antonio Gmez Ramos. Barcelona: Paids, 1991.

_____. Esttica y hermenutica. Introd. Angel Gabilondo. Trans. Antonio Gmez Ramos. Madrid: Tecnos, 1996.

Genette, Grard. L'uvre de l'art, I: Immanence et Transcendance. (Potique). Paris: Seuil, 1996.

_____. La obra del arte: Inmanencia y trascendencia. Trans. Carlos Manzano. (Palabra Crtica 23). Barcelona: Lumen, 1997.*

_____. L'uvre de l'art, II: La relation esthtique. (Potique). Paris: Seuil, 1997.* (1. L'attention esthtique. 2. L'apprciation esthtique. 3. La fonction artistique).

Gilbert, K. E., and Helmut Kuhn. A History of Esthetics. Bloomington, 1953.

Gombrich, E. H. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon, 1963.

_____. Art and Illusion. London: Phaidon, 1968.

_____. The Story of Art. Oxford: Phaidon, 1988.

Goodman, Nelson. The Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Hackett, 1968. 2nd ed. 1978.

_____. Los lenguajes del arte. 1968. Barcelona: Seix-Barral, 1976.

_____. Langages de l'art. Paris: Jacqueline Chambon, 1990.

_____. "Quand y a-t-il art?" In Philosophe analytique et esthtique. Ed. E. Lories. Paris: Mridiens-Klincksieck, 1988.

Hamann, R. Aesthetik. 2nd. ed. 1921.

Jauss, H. R. Aesthetische Erfahrung und Literarische Hermeneutik. Frankfurt: Suhrkamp, 1982.

_____. Aesthetic Experience and Literary Hermeneutics. Minneapolis: U of Minnesota P, 1982.

Kaufmann, Fritz. Das Reich des Schnen: Bausteine zu einer Philosophie der Kunst. Ed. H. G. Gadamer. Stuttgart: Kohlhammer, 1960.

Langer, Susanne K. Philosophy in a New Key: A Study of the Symbolism of Reason, Myth, and Art. Cambridge: Harvard UP, 1942. 3rd. ed. 1957.*

_____. Philosophy in a New Key. New York, 1948.

_____. Philosophy in a New Key. Cambridge (MA), 1980.

_____. Feeling and Form: A Theory of Art. New York: Scribner's, 1953.

_____. Feeling and Form: A Theory of Art. London, 1953..

_____. Problems of Art: Ten Philosophical Lectures. London: Routledge and Kegan Paul, 1957.*

Lukcs, Georg. Die Seele und die Formen. Berlin: Fleischel, 1911.

_____. Soul and Form. London: Merlin Press, 1974.

_____. Die Eigenart des sthetischen. In Werke. Neuwied, 1963. Vols. 11 and 12.

_____. Aesthetics. 1963.

_____. Esttica. 4 vols. Barcelona: Grijalbo, 1966-72.

_____. Aportaciones a la historia de la esttica. Mxico: Grijalbo, 1966.

_____. Prolegmenos a una esttica marxista. Barcelona: Grijalbo, 1969.

_____. Marxism and Art: Writings in Aesthetics and Criticism. New York: McKay, 1972.

Marawski, Stefan. Inquiries into the Fundamentals of Aesthetics. Cambridge (MA): MIT Press, 1974.

McKeon, Richard. "The Philosophical Bases of Art and Criticism." Moden Philology(Nov. 1943 and Feb. 1944).

_____. "The Philosophical Bases of Art and Criticism." In Critics and Criticism. Ed. R. S. Crane. Chicago: U of Chicago P, 1952. 463-545. Abridged ed. 1957. 191-273.*

Mukaovsk, Jan. Aesthetic Function, Norm and Value as Social Facts. 1936. Trans. M. E. Suino. Ann Arbor: U of Michigan P, 1970. 1976. 1979.

_____. "Aesthetic Function, Norm, and Value as Social Facts." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 35-8.

Nedoncelle, M. Introduction l'esthtique. Paris: PUF, 1956.

Osborne, H., ed. Aesthetics. Oxford, 1972.

_____. Esttica. Mxico: F.C.E., 1976.

Pepper, Stephen C. The Basis of Criticism in the Arts. Cambrige: Harvard UP, 1956.

Philipson, Morris, ed. Aesthetics Today. New York: Meridian, 1961.

Plazaola, J. Introduccin a la esttica. Madrid: B.A.C., 1973.

Santayana, George. The Sense of Beauty. 1896. New York: Dover, 1955. 1970.

_____. Reason in Art. 1905.

_____. La razn en el arte y otros escritos de esttica. Ed. Ricardo Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008.*

_____. "Qu es esttica?" In Santayana, La razn en el arte y otros escritos de esttica. Ed. Ricardo Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008. 149-56.*

Vivas, Eliseo. "The Esthetic Judgment." Journal of Philosophy 33 (1936): 57-69.

_____. The Artistic Transaction. Columbus: Ohio State UP, 1963.

Volkelt, Johannes. System der sthetik. 1925.

Wlfflin, Heinrich. Kunstgeschichtiche Grundbegriffe. 1915.

_____. Principios fundamentales de la historia del arte. 3rd ed. Madrid: Espasa-Calpe, 1952.

Early works

Batteux (Abb). Trait des beaux-arts rduits un mme principe. Paris, 1747.

Bosanquet, Bernard. A History of Aesthetics. New York, 1892.

Burke, Edmund. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. In Burke, Works. London: 1899. Vol. 1.

_____. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Ed. Adam Phillips. (World's Classics). Oxford: Oxford UP, 1990.*

_____. De lo sublime y de lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio Lpez Frez. Madrid: Tecnos, 1987.

_____. De lo sublime y de lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio Lpez Frez. Barcelona: Altaya, 1995.*

Du Bos, Jean-Baptiste (Abb). Rflexions critiques sur la posie et sur la peinture. 1719. Paris, 1740. In Baldine Saint-Girons, Esthtiques du XVIIIe: Le modle franais. Paris: Philippe Sers, 1990.

_____. Critical Reflections on Poetry, Painting, and Music. Trans. Thomas Nugent. 3 vols. 1748.

Emerson, Ralph Waldo. "Art." 1841. In Emerson, Essays. London: Dent; New York: Dutton, 1906. 192-203.*

_____. "El arte." In Emerson, Escritos de esttica y potica. Ed. and trans. Ricardo Miguel Alfonso. Mlaga: Universidad de Mlaga, 2000. 65-72.*

_____. "El arte." In Emerson, Ensayos. Ed. and trans. Ricardo Miguel Alfonso. Madrid: Espasa-Calpe, 2001. 262-74.*

_____. Escritos de esttica y potica. Ed. and trans. Ricardo Miguel Alfonso (Analecta Malacitana; Anejos, 30). Mlaga: Universidad de Mlaga, 2000.*

Goethe, J. W. Goethes Werke. Ed. Erich Trunz. Vol. 12, Schriften zur Kunst, Schriften zur Literatur, Maximen und Reflexionen. Hamburg: Wegner, 1969.

_____. Essays on Art and Literature. Ed. John Gearey. Trans. Ellen von Nardroff and Ernest H. von Nardroff. Vol. 3 of Collected Works. New York: Suhrkamp, 1986. 192-94.

Hazlitt, William. Ensayos sobre el arte y la literatura. Introd., select. and trans. Ricardo Miguel Alfonso. (Espasa rbitas). Madrid: Espasa-Calpe, 2004.*

Hegel, G. W. F. Vorlesungen ber die Aesthetik. 1835.

_____. sthetik. Berlin, 1965.

_____. Vorlesungen ber die Aesthetik. 1835. In Hegel, Werke in zwanzig Bnden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970. Vol. 13.

_____. The Introduction to Hegel's Philosophy of Fine Art. Trans. Bernard Bosanquet. London, 1886.

_____. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920.

_____. Esthetics. Trans. T. M. Knox. Oxford: Clarendon, 1975.

_____. Aesthetics: Lectures on Fine Art. 2 vols. Trans. T. M. Knox. Oxford: Clarendon Press, 1998.

_____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox. New York, 1975.

_____. From Lectures on Fine Art. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Esthtique. Trans. S. Janklvitch. Paris: Aubier, 1954.

_____. Esttica. 1835. Buenos Aires: El Ateneo, 1954.

_____. Introduccin a la esttica. Trans. Ricardo Mazo. Barcelona: Pennsula, 1985.

_____. Introduccin a la esttica. Ediciones de Bolsillo.

_____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958.

_____. Filosofa del arte o Esttica [verano de 1826]. Apuntes de Friedrich Carl Hermann Victor von Kehler. Ed. Annemarie Gethmann-Siefert and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr. Trans. Domingo Hernndez Snchez. (Lecturas de Filosofa). Madrid: Abada / UAM, 2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism, Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture, Painting, Music, Poetry).

Holz, Arno. Die Kunst: Ihr Wesen und ihre Gesetze. Berlin, 1891.

Hugo, Victor. Preface to Cromwell. 1827. (Selection). In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 541-45.*

Hutcheson, Francis. An Inquiry into the Original of Our Ideas of Beauty and Virtue. New York: AMS Press, 1978.

Kant, Immanuel. Observaciones acerca del sentimiento de lo bello y lo sublime. Madrid: Alianza, 1990. Trans. of Beobachtungen ber das Gefhl des Schnen und Erhabenen. Knigsberg: Kanter, 1764.

_____. Kritik der Urteilskraft. 1790.

_____. Kritik der Urteilskraft. Stuttgart, 1924.

_____. Kritik der Urteilskraft. Hamburg: Felix Meiner, 1974.

_____. Kritik der Urteilskraft. In Werkausgabe vol. 10. Ed. Wilhelm Weischedel. Frankfurt a/M, 1979.

_____. Critique of Judgment. Trans. J. H. Bernard. 2nd. ed. London, 1914. 1931. New York, 1951.

_____. Critique of Judgment. Trans. J. H. Bernard. New York: Hafner, 1966.

_____. Critique of Judgment. Trans. Werner S. Pluhar. Indianapolis: Ackett, 1987.

_____. Critique of Judgment. Excerpt. In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 35-66.

_____. The Critique of Judgement. Trans. James Creed Meredith. Oxford: Clarendon, 1988.

_____. Crtica del Juicio. Madrid: Espasa-Calpe, 1984.

Ker, W. P. "On the Philosophy of Art." 1883. In Ker, Collected Essays. London: Macmillan, 1925. 2.234-71.*

Lessing, G. E. Laokoon oder ber die Grenzen der Malerei und Poesie. 1766. In Lessings Werke. Ed. R. Riemann. Leipzig: Reclam, n. d. 4.7-171.

_____. Laokoon. Ed. W. G. Howard. New York, 1910.

_____. Laocoon. Trans. Sir Robert Phillimore. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 420-26.*

_____. Laocon: An Essay on the Limits of Poetry and Painting. Trans. Edward Allen McCormick. Baltimore: Johns Hopkins UP, 1984.

_____. Laocoonte, o sobre los lmites de la poesa y la pintura. Trans. Enrique Palau. Barcelona: Orbis, 1985.*

_____. Laocoonte. Trans. E. Barjau. Madrid: Editora Nacional, 1984.

Lvque, Charles. Esttica o ciencia de lo bello. Trans. Santos Santamara del Pino. Valladolid: Hijos de Rodrguez, 1878.

Llanas Aguilaniedo, Jos Mara. Alma contempornea: Estudio de esttica. 1899. Ed. Justo Broto Salanova. Huesca: Instituto de Estudios Altoaragoneses, 1991.*

Lpez Senz, Carmen. "Razones estticas: Zambrano y Merleau-Ponty." V Boletn de Estudios de Filosofa y Cultura Manuel Mindn. Online at Academia

https://www.academia.edu/8182392/Razones_est%C3%A9ticas_Zambrano_y_Merleau-Ponty

2015

Menndez y Pelayo, Marcelino. Historia de las ideas estticas en Espaa. 1883-91. 2 vols. Madrid: C.S.I.C., 1974.

_____. Historia de las ideas estticas en Espaa: Las ideas estticas entre los antiguos griegos y latinos. Desarrollo de las ideas estticas hasta fines del siglo XVII. ("Sepan cuantos...", 475). Mxico: Porra, 1985.*

Moritz, Karl Philipp. (Essai de runion de tous les beaux-arts et sciences sous la notion d'accomplissement en soi. In German). 1785.

The Polite Arts. Anonymous essay. 1749.

Quinet, Edgar. Considrations philosophiques sur lart, thse de philosophie. Strasbourg: F.-G. Levrault, 1839.

Richter, Jean Paul. Vorschule der sthetik. Hamburg, 1804. Ed. Norbert Miller. Munich, 1963.

_____. Introduccin a la esttica. 1804. Ed. Pedro Aulln de Haro and Francisco Serra. Trans. Julin de Vargas. Madrid: Verbum, 1991.

Schiller, Johann Cristoph Friedrich von. ber die sthetische Erziehung des Menschen. 1795. In Schiller, Gedichte und Prosa: ber den Grund des Vergngens. ber die tragische Kunst. Vom Erhabenen. ber das pathetische. ber Anmut und Wrde. ber die sthetische Erziehung des Menschen. ber naive und sentimentalische Dichtung. Ed. Emil Staiger. Zrich: Manesse Verlag, 1984.*

_____. On the Aesthetic Education of Man. Bilingual ed. Ed. and trans. E. M. Wilkinson and L. A. Willoughby. Oxford: Oxford UP, 1983.

_____. From On the Aesthetic Education of Man (Letters 2, 6, 9). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Schlegel, August Wilhelm. Vorlesungen ber schne Literatur und Kunst. Heilbronn, 1884.

Schopenhauer, Arthur. "On the Inner Nature of Art." In Schopenhauer, The World as Will and Representation. New York: Dover, 1969. 406-11.*

Shaftesbury. "Treatise V. viz. The Moralists, A Philosophical Rhapsody." 1709. In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times. In Three Volumes. 1711.

_____. "Soliloquy, or, Advice to an Author." 1710.

_____. "Treatise III. viz. Soliloquy: or Advice to an Author." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times, In Three Volumes. London, 1711.

_____. From "Soliloquy, or, Advice to an Author." (On Milton and Heroic Poetry). From Characteristicks, 1727. From "Soliloquy, or, Advice to an Author," from Characteristicks, In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 145.*

_____. "Treatise VI. viz. Miscellaneous Reflections, &c." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times. In Three Volumes. London, 1711.

Shaw, Bernard. The Sanity of Art. 1895. In Shaw, Major Critical Essays. London: Constable, 1932. 281-332.

Shklovsky. Bowstring. Dalkey Archive Press.

Smith, Adam. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." In Smith, Essays Philosophical and Literary. London, n.d.

Solger, Friedrich. Erwin: Vier Gesprche ber das Schne und die Kunst. Leipzig, 1829.

Spence, Joseph. Polymetis. (Aesthetics, poetry and sculpture). 1747.

_____. Crito. Aesthetics. 1752. London: Dodsley, 1761.

Taine, Hippolite. Lectures on Art. Trans. John Durand. New York, 1877.

_____. Filosofa del arte. 2 vols. Valencia: F. Sempere [1915?].

_____. Filosofa del arte. Buenos Aires: Espasa-Calpe, 1944.

Tieck, Ludwig, ed. Phantasien ber die Kunst fur Freunde der Kunst. Hamburg: Perthes, 1799.

Ussher, James. Clio: Or a Discourse on Taste. London: Davies, 1767. Online at Google Books

http://books.google.co.uk/books?id=gYFKAAAAcAAJ

2014

_____. Clio: or, A Discourse on Taste. Addressed to a Young Lady. By I. Usher. The Second Edition, with Large Additions. London: Printed for T. Davies, 1769. (Taste; Aesthetics; Sublime; Conversation; The arts; Enthusiasm)

Valverde, Jos Mara. Breve historia y antologa de la esttica. Barcelona: Ariel, 2011.

_____. Breve historia y antologa de la esttica. (Grandes pensadores espaoles). Barcelona: Planeta-DeAgostini, 2011.

Veron, Eugne. L'Esthtique. Paris: Reinwald, 1890.

Vischer, Friedrich Theodor. sthetik. Stuttgart, 1846-1857.

Vives, Juan Luis. De discipliniis. 1531. (Disciplines, Arts, Letters, Grammar, Dialectic, Rhetoric, Natural philosophy, Medicine, Mathematics, Moral Philosophy, Civil Law, Metaphysics, Probability, Truth, Argumentation, Logic).

_____. Las disciplinas. Trans. Lorenzo Riber (Real Academia Espaola). Introd. Francisco Jos Fortuny. Madrid: Aguilar, 1948.

_____. Las disciplinas. Trans. Lorenzo Riber. Introd. Francisco Jos Fortuny. 2 vols. (Historia del Pensamiento, 83, 84). Barcelona: Orbis, 1985.*

Wackenroder, Wilhelm Heinrich, and Ludwig Tieck. Phantasien ber die Kunst. 1799. Ed. Wolfgang Nehring. Stuttgart: Philipp Reklam, n. d.

Wolf, F. A. Darstellung der Altertumwissenschaft nach Begriff, Umfang, Zweck und Wert. Vol. 1 of Museum der Altertumswissenschaft. Ed. F. A. Wolf and Philip Buttman. Berlin, 1807.

Miscellaneous

Adler, Mortimer J. Art and Prudence. New York, 1937.

Aesthetics: Proceedings of the 8th International Wittgenstein Symposium, Kirchberg. Part I. Vienna: Holder-Pichler-Tempsky, 1984.

Altieri, Charles. "The Values of Articulation: Aesthetics after the Aesthetic Ideology." In Beyond Representation: Philosophy and Poetic Imagination. Cambridge: Cambridge UP, 1996. 66-89.

Baader, Franz X. von. ber Liebe, Ehe und Kunst, aus den Schriften, Briefen und Tagebchern. Munich: Ksel, 1953.

Bardavo, Jos Mara. La versatilidad del signo. Madrid: Alberto Corazn, 1975.*

Bennett, Tony. "Really Useless 'Knowledge': A Political Critique of Aesthetics." Literature and History 13.1 (Spring 1987).

Bense, M. Esttica: consideraciones metafsicas sobre lo bello. Buenos Aires: Nueva Visin, 1973.

Bernstein, J. M. Art, Metaphysics and Modernity: The Fate of Aesthetics from Kant to Derrida.

Boyd, Brian. "9. Art, Narrative, Fiction." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 129-31.*

Bruyne, Edgar de. Etudes d'esthtique mdivale. 3 vols. Brussels: De Tempel, 1946.

_____. Estudios de esttica medieval. 3 vols. Madrid: Gredos, 1958.

_____. The Esthetics of the Middle Ages (1-volume abridgement of Etudes d'esthtique mdivale). Trans. Eileen B. Hennessey. New York: Ungar, 1969.

Calabrese, O., ed. El lenguaje del arte. Barcelona: Paids, 1985.

Cavell, Stanley. "Aesthetic Problems of Modern Philosophy." In Critical Theory since 1965. Ed. Hazard Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986. 1990. 24-39.*

Clark, Michael P., ed. Revenge of the Aesthetic: The Place of Literature in Theory Today. Berkeley (CA): U of California P, 2000.*

Colvin, Sidney. "Fine Arts." Encyclopaedia Britannica 11th ed.

Cooper, David. A Companion to Aesthetics. Oxford: Blackwell, 1995.

Danto, Arthur C. La Transfiguration du banal. (Potique). Paris: Seuil, 1989.

_____. L'Assujettissement philosophique de l'art. (Potique). Paris: Seuil.

de Man, Paul. Aesthetic Ideology. Ed. Andrzej Warminski. Minneapolis: U of Minnesota P, 1996.

Dessoir, Max. sthetik und allgemeine Kunstwissenschaft. Stuttgart, 1906.

Dewey, John. Art as Experience. New York, 1934.

Diderot. Diderot on Art. Ed. and trans. John Goodman. Introd. Thomas Crow. New Haven: Yale UP, 1995.

Dohrn, Wolf. Die knstlerische Darstellung als Problem der Aesthetik. Hamburg, 1907.

Dubuffet, Jean. Escritos sobre arte. Barcelona: Barral, 1975.

Ducasse, Curt. The Philosophy of Art. New York, 1929.

Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Blackwell, 1990.

Eco, Umberto. Obra abierta. Barcelona: Planeta, 1984. Trans. of Opera aperta. Milano: Bompiani, 1962.

_____. The Open Work. New York: Hutchinson, 1989.

_____. La estructura ausente. Barcelona: Lumen, 1981.

_____. Arte e bellezza nell'estetica medioevale. Milan: Bompiani.

_____. Arte y belleza en la esttica medieval. (Palabra en el Tiempo). Barcelona: Lumen.

Elton, William, ed. Essays in Aesthetics and Language. Oxford, 1954.

Fry, Roger. Transformations: Critical and Speculative Essays on Art. 1920. New York: Arno, 1968.

Gadamer, Hans-Georg. Verdad y mtodo: Fundamentos de una hermenutica filosfica. Trans. Ana Agud Aparicio and Rafael de Agapito. Salamanca: Sgueme, 1977. Trans. of Wahrheit und Methode. 4th ed. Tbingen: Mohr, 1975.

_____. "Esttica y hermenutica." Daimon 12 (1996): 5-12.

http://revistas.um.es/daimon/article/viewFile/8311/8081

2011

Gardner, Howard. Verdad, belleza y bondad reformuladas. Barcelona: Paids, 2011.

Garroni, Emilio. Semiotica ed estetica. Bari: Laterza, 1968.

Goodman, N., and C. Elgin. Esthtique et Connaissance. Paris: L'Eclat, 1990.

Grabes, Herbert, ed. "Aesthetics and Contemporary Discourse." REAL 10 (1994).

Greene, Theodore M. The Arts and the Art of Criticism. Princeton, 1947.

_____. "The Scope of Aesthetics." Journal of Aesthetics and Art Criticism 8 (June 1950).

Guattari, Flix. Chaosmosis: An Ethico-Aesthetic Paradigm. Trans. Paul Bains and Julian Pefanis. Bloomington: Indiana UP, 1995.

Harrison, Charles. Essays on Art & Language. Oxford, 1991.

Hauser, Arnold. Teoras del arte: Tendencias y mtodos de la crtica moderna. Trans. Felipe Gonzlez Vicn. 5 ed. Barcelona: Labor, 1982. Trans. of Philosophie der Kunstgeschichte.

_____. Teoras del arte. Barcelona: Guadarrama.

Heidegger, Martin. Der Ursprung des Kunstwerks. Introd. H. G. Gadamer. Stuttgart: Reclam, 1965.

_____. "The Origin of the Work of Art." In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 256-79.

_____. "L'origine de l'uvre d'art." 1935, 1956. In Heidegger, Chemins qui ne mnent nulle part. Paris: Gallimard, 1986. 13-98.

_____. "La provenance de l'art et la destination de la pense." 1967. Trans. J. L. Chrtien and M. Reinfenrath. In Martin Heidegger. Paris: L'Herne, 1983.

Helm, J., ed. Essays on the Verbal and Visual Arts. Seattle: U of Washington P, 1967.

Heyfelder, Erich. sthetische Studien. Freiburg i/B., 1904.

Hulme, T. E. Speculations: Essays on Humanism and the Philosophy of Art. 1924. Ed. Herbert Read. London: Routledge, 1936. 1977.

_____. Further Speculations. Ed. Samuel Hymes. Minneapolis: U of Minnesota P, 1955.

Hume, Nancy G., ed. Japanese Aesthetics and Culture: A Reader. (SUNY Series in Asian Studies Development). Albany: SUNY Press, 1995.*

Iser, W. Immanente Aesthetik, sthetische Reflexion. Munich: Fink, 1969.

Jard, Enric. Esquema d'una sociologa de l'art. Barcelona: Dalmu, 1963.

_____. Un altre Laocoont. Barcelona, Ariel, 1963.

_____. Otro Laocoonte: Reflexiones sobre los lmites de las artes plsticas. Madrid: Aguilar, 1968.*

Jauss, Hans-Robert, ed. Die nicht mehr schnen Kunste. Munich: Fink, 1968.

Jimnez, Jos. Imgenes del hombre: Fundamentos de esttica. Madrid: Taurus, 1966.

_____. La esttica como utopa antropolgica. Madrid: Tecnos, 1983.

_____. "El arco de la esttica." A los 70 aos de La Deshumanizacin del arte: Ortega y las vanguardias. Revista de Occidente 168 (May 1995): 5-22.*

Kadish, Mortimer R. Reason and Controversy in the Arts. Cleveland: Case Western Reserve UP, 1968.

Keene, Donald. "Japanese Aesthetics." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 27-42.*

Kockelmans, Joseph J. Heidegger on Art and Art Works. Dordrecht: Martinus Nijhoff, 1985.

Krieger, Murray. "My Travels with the Aesthetic." In Revenge of the Aesthetic: The Place of Literature in Theory Today. Ed. Michael P. Clark. Berkeley (CA): U of California P, 2000. 208-36.*

Kuhn, H. Vom Wesen und Wirken des Kunstwerks. 1961.

Lamarque, Peter. "Criticism, Aesthetics and Analytic Philosophy." In Twentieth-Century Historical, Philosophical and Psychological Perspectives. Ed. Christa Knellwolf and Christopher Norris. Vol. 9 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 2001. 323-34.*

_____, ed. Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen: Aberdeen UP, 1983.

Levinson, Jerrold. Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge UP, 1999.

Lewis, Wyndham. Wyndham Lewis on Art: Collected Writings, 1913-1956. Ed. Walther Michel and C. J. Fox. 1969.

Lipps, Theodor. Grundlegung der sthetik. Hamburg, 1903.

Listowel, C. de. Historia crtica de la esttica moderna.. Buenos Aires: Losada, 1954.

Lpez Quints, A. Esttica de la creatividad. Madrid: Ctedra, 1978.

Lpez Senz, M Carmen. El arte como racionalidad liberadora: Consideraciones desde Marcuse, Merleau-Ponty y Gadamer. (Aula abierta). Madrid: UNED, 2000.*

Lories, E., ed. Philosophie analytique et esthtique. Paris: Mridiens-Klincksieck, 1988.

Lovell, Terry. Pictures of Reality: Aesthetics, Politics, and Pleasure. London: British Film Institute, 1982.

Machn, S. La esttica en la cultura moderna. Barcelona: Gustavo Gili, 1982.

Marcuse, Herbert. Die Permanenz der Kunst. Munich, 1977.

Medicus, Fritz. "El problema de una historia comparada de las artes." In Emil Ermatinger et al. Filosofa de la ciencia literaria. Trans. Carlos Silva. Mxico: FCE, 1946. 1984. 195-250.

Michel, A. La Parole et la beaut: Rhtorique et Esthtique dans la tradition occidentale. Paris: Belles Lettres, 1982.

Moles, Abraham A. Information Theory and Aesthetic Perception. Trans. Joel C. Cohen. Urbana: U of Illinois P, 1965.

Monpurgo-Tagliabue, G. La esttica contempornea. Buenos Aires: Losada, 1971.

Morawski, S. Fundamentos de esttica. Barcelona: Pennsula, 1977.

Morris, C. W. "Esthetics and the Theory of Signs". Journal of Unified Science 8 (1939): 131-150. Rpt. in Writings on the General Theory of Signs. The Hague, 1971. 415-33.

Mukarovsky, Jan. "L'art comme fait smiologique". Actes du VIIIe Congrs International de Philosophie. Prague, 1936. 1065-72.

Munro, Thomas. The Arts and Their Interrelations. New York, 1949.

Nolte, Fred O. Art and Reality. Lancaster (PA): Lancaster Press, 1942.

Ogden, Richards, and Wood. Foundations of Aesthetics.

O'Keefe, Katherine O'Brien, and Margaret J. M. Ezell, eds. Cultural Artifacts and the Production of Meaning. Princeton: Princeton UP, 1993.

Ortega y Gasset, Jos. "Ensayo de esttica a manera de prlogo." In Ortega, La deshumanizacin del arte y otros ensayos de esttica. Madrid: Espasa-Calpe, 1987. 139-62.

_____. "Dilogo sobre el arte nuevo." In Ortega, La deshumanizacin del arte y otros ensayos de esttica 168-74.

Panofsky, E. Idea: Contribucin a la historia de la teora del arte. Madrid: Ctedra, 1980.

Pareyson, Luigi. Estetica: Teoria della formativit. Torino, 1954.

_____. L'estetica e i suoi problemi. Milan, 1961.

Parkhurst, Helen. Beauty: An Interpretation of Art and the Imaginative Life.

Prall, D. W. Aesthetic Judgment.

Prieto, D. Esttica. Mxico: Edicol, 1977.

Racionero, Luis, [ed.] Textos de esttica taosta. Madrid: Alianza, 1983.

Rader, Melvin. A Modern Book of Esthetics: An Anthology. New York, 1952.

Railey, Jennifer M. "Dependent Origination and the Dual Nature of the Japanese Aesthetic." Asian Philosophy 7.2 (1997): 123-33.

Ramos, Eugenio. Estudios de esttica. Mxico: Instituto de Investigaciones Estticas, 1963.

Read, Herbert. Arte y sociedad. Trans. Manuel Carbonell. Barcelona: Pennsula, 1970. Trans. of Art and Society. 1936.

_____. The Philosophy of Modern Art . London: Faber, n. d.

Reid, L. A. A Study in Aesthetics. 1931.

Roberts, David. Art and Englightenment: Aesthetic Theory after Adorno. U of Nebraska P, 1991.

Ross, Stephen David. A Theory of Art: Inexhaustibility by Contrast. State U of New York P.

Rubert de Vents, Xavier. El arte ensimismado. 1963. Barcelona: Pennsula, 1978.

_____. Teora de la sensibilidad. Barcelona: Pennsula, 1968.

_____. La esttica y sus herejas. Barcelona: Anagrama, 1974.

Snchez Vzquez, A. Esttica y marxismo. Mxico: Era, 1975.

Schlobin, Roger C. The Aesthetic of Fantasy, Literature and Art. Ed. Roger C. Schlobin. Notre Dame: U of Notre Dame P, 1982.

Schmidt, S. J. Text, Bedeutung, Aesthetik. Munich: Bayerischer Schulbuch Verlag, 1970.

_____. Aesthetizitt: Philosophische Beitrge zu einer Theorie des Aesthetischen. Munich: Bayerischer Schulbuch Verlag, 1972.

_____, ed. Empirie in Literatur- und Kunstwissenschaft. Munich: Fink, 1979.

Schuwer, C. Les deux sens de l'art. Paris: PUF, 1962.

Shklovski, Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14.

_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*

_____. "Art as Technique." Selection. In Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 48-56.*

_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.

_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*

_____. "L'art comme procd." In Todorov, Thorie de la littrature 76-97.

Shusterman, Richard. Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford: Blackwell, 1992.

Souriau, Etienne. La Correspondance des Arts. 1947, 1969.

_____. La correspondencia de las artes: Elementos de esttica comparada. Mxico: F.C.E., 1965.

Sparshott, F. E. The Structure of Aesthetics.

Stanco, Michele. "Art and Beauty: Linguistic versus Psychological Aesthetic Theories." RANAM: Recherches anglaises et nord-amricaines no. 36 (2003): ESSE 6Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Universit Marc Bloch, Service des priodiques, 2003. 47-68.*

Suly, James. "Aesthetics." Encyclopaedia Britannica. 11th ed.

Tatarkiewicz, Wladislaw. History of Aesthetics. 3 vols. The Hague: Mouton, 1970.

_____. Historia de seis ideas: Arte, belleza, forma, creatividad, mmesis, experiencia esttica. Trans. Francisco Rodrguez Marn. Madrid: Tecnos, 1987. Trans. of Dzieje szesciu pojec. Warsaw: Panstwowe Wydawnictwo Naukowe, 1975.

Theodore de Bary, Wm. "The Vocabulary of Japanese Aesthetics, I, II, III." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 43-76.*

Tschumi, Raymond. Gense de l'expression littraire et artistique. Paris, 1993.

Uscatescu, J. Fundamentos de esttica y esttica de la imagen. Madrid: Reus, 1979.

Valente, Jos Angel. "Cuatro referentes para una esttica contempornea." Fin de siglo y futuro de las artes. Revista de Occidente 181 (1996): 21-32.*

Valry, Paul. Teora potica y esttica. Trans. Carmen Santos. Madrid: Visor, 1990.

Valverde, J. M. Cartas a un cura escptico en materia de arte moderno. Barcelona: Seix-Barral, 1959.

_____. Introd. to El arte ensimismado. By Xavier Rubert de Vents. 1963. 2nd ed. Barcelona: Ediciones de Bolsillo, 1979.

Wittgenstein, Ludwig. "Lectures of Aesthetics." In Wittgenstein, Lectures and Conversations on Aesthetics, Psychology and Religious Belief. Ed. Cyril Barrett. Oxford: Blackwell, 1978. 1-40.

_____. Lectures and Conversations on Aesthetics, Psychology, and Religious Belief. Ed. Cyril Barrett. Berkeley: U of California P, 1967.

Wollheim, Richard. Art and Its Objects. 1980.

_____. Art and Its Objects: Second Edition: With Six Supplementary Essays. Cambridge: Cambridge UP, 1992.

Anthologies

Bromwich, David, ed. Romantic Critical Essays. Cambridge: Cambridge UP, 1987.*

Carritt, E. F., ed. A Calendar of British Taste from 1600 to 1800. (Anthology). London, 1949.

Coleman, Francis J., ed. Contemporary Studies in Aesthetics. New York: McGraw-Hill, 1968.

Dickie, George, and Richard Sclafani, ed. Aesthetics: A Critical Anthology. New York: St Martin's, 1977.

Genette, Grard, ed. Esthtique et potique. (Points; Essais, 249). Paris: Seuil, 1992.

Harrison, Charles, and Paul Wood, with Jason Gaiger, eds. Art in Theory 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell, 1998.*

_____, eds. Art in Theory 1900-1990: An Anthology of Changing Ideas. Oxford: Blackwell, 1992. 1998.*

Hertz, Richard, ed. Theories of Contemporary Art. Englewood Cliffs, NJ: Prentice Hall, 1985.

Hofstadter, A., and Richard Kuhns, eds. Philosophies of Art and Beauty. New York: Random House, 1964.

Roe, John, and Michele Stanco, eds. Inspiration and Technique. Ancient to Modern Views on Beauty and Art. Bern: Peter Lang, 2007.

Bibliographies

Draper, John W. Eighteenth Century English Aesthetics: A Bibliography. Heidelberg, 1931.

"Estetica: Una bibliografia internazionale." Societ Italiana di Estetica website.

http://www.siestetica.it/f

2009

Garca Landa, Jos Angel. "Aesthetics: General." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (damnscribed) 29 Jan. 2015.*

https://es.scribd.com/doc/254050295/

2015

Wikipdia: L'ncyclopdie libre (Liste d'historiens de l'art et de thoriciens de l'art).

http://fr.wikipedia.org/wiki/Bibliographie_d%27histoire_et_de_th%C3%A9ories_de_l%27art

2010

Dictionaries

Hall, J. Diccionario de temas y smbolos artsticos. Trans. J. Fernndez Zulaica. Madrid: Alianza, 1974. 1983.

Journals

Aesthetics and Philosophy of Art eJournal

SSRN

http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html

2013

Arte, individuo y Sociedad

Servicio de Publicaciones de la Universidad Complutense de Madrid

Vol. 15 (2003).

http://www.ucm.es/BUCM/revistasBUC/portal/modules.php?name=Revistas2&id=ARIS

2007-01-25

British Journal of Aesthetics 22.3 (Summer 1982).

Journal of Aesthetic Education 3 (1969).

Representations

University of California Press Journals

2120 Berkeley Way

Berkeley

C A USA 94720

Phone: 510/642

Fax: 510/643-7127

Vol. 8 (1984).

Revue d'Esthtique. Special Samuel Beckett issue, 1986.

Rivista di Estetica 2 (1984).

Symbolism:

An International Journal of Critical Aesthetics.

Ed. Rdiger Ahrens. (U of Wrzburg).

New York: AMS Press.

56 East 13th St. New York, NY 10003-4686.

Fax (212) 995-5413.

Vol 1 (1998).

Zeitschrift fr sthetik und Allgemeine Kunstwissenschaft 3 (1908), 4 (1909).

Series

(Meridian: Crossing Aesthetics, 1). Series ed. Werner Hamacher. Stanford (CA): Stanford UP, 2001.

(Foundations in the Philosophy of the Arts). Series ed. Philip Alperson. Oxford: Blackwell, c. 2008.

(Meridian: Crossing Aesthetics). Ed. Werner Hamacher. Stanford (CA): Stanford UP, c. 2000.

Societies and institutions

Societ Italiana di Estetica

http://www.siestetica.it/f

2009